from Poets & Writers "The Time is Now" Week 10 prompt for creative nonfiction
Credit is due to so many people in my life for teaching me how to learn to write. But first, a little blame. My pre-first grade teacher (or maybe it was in first grade), decided it would be better for me to be a right-handed writer rather than a lefty which is how I started out. I remember someone tying my left hand behind my back until I got the idea and practice of writing with my right hand. So that might explain by zig-zag life as it has evolved. In any case, I write right-handed now when I use long hand and type with both hands--so maybe all's "write/right" with my world, after all.
So that is my first memory of writing. I next recall Miss Meyers in 3rd Grade who bopped us on the head when our cursive letters didn't look perfect. I received quite a few taps on the noggin for poorly shaped cursive capital letter "F". Those green paper letters for print and cursive that lined the top of the blackboard throughout elementary school are burned into my psyche and still haunt me in midnight dreams. The traumatic memory is so strong that, when I do write long hand notes on holiday cards, I often get a response such as "I can't read your writing, Anita." So there you go, Miss Meyers,you couldn't bop me into submission.
That is the skinny backstory on my learning how to write--actual content development soared with Mrs. Hanson at Kimball Junior High, eighth and ninth grades. Even though I struggled to get beyond a "B" on my essays, I had already began penning poetry thanks to the oral tradition of poetry (James Whitcomb Riley and others) passed along from my mom and her mother. My poetry writing might have been the reason Mrs. Hanson recommended me to honors English when I entered high school.
First year at Larkin H.S. was a partial bust for English class. My first teacher was pregnant and left early. I have no memory of her and we had quite a few substitutes after that whom I also don't remember. But then, after the holidays, we had a substitute that stayed for the entire semester. I don't recall writing much in class except for book reports. The glory in that experience was she let me make reports on books that were way beyond my age range. Somehow, I had been able to convince a librarian at the Gail Borden Public Library that I could handle the content of adult books--mostly biographies on artists such as Michelangelo and Rodin. Their biographies were rather "racy" for me and introduced me to homosexuality and illicit passions. I wrote about those themes (and a few details). The nameless, but important, 10th grade substitute English teacher read the reports and didn't censor my writing at all. She did correct my grammar and composition and so the world of writing exploded in potential along with the world of reading.
Maybe she knew what was ahead when I entered Mr. Caldwell's 11th Grade English class, followed by Mr. Fuhs' senior year class. Both challenged our class with Faulkner and Hemingway, Joyce and Shakespeare and more. They were equally unfaltering in their critiques of our writing and stretched our vocabulary with weekly tests. By the end of my senior year, I was not only well prepared for college English classes, I excelled. English Literature became my major and I immersed my reading and writing into medieval English Literature, 17th Century, a semester on Shakespeare, a semester on American writers--mostly Mark Twain. At my public university, Northern Illinois University, I learned poetry from Lucien Stryk, a poet himself and international translator of Zen poetry. I joined a writers group and had week night poetry sessions with him a a handful of others "invited" into his dusty living room where we ate crackers and cheese and drank sparkling wine.
The years have passed since then (1971) and, in all of them, I have continued to write and to learn to write. As I wake each day in my 69th year, I read daily poetry, bits of nonfiction, everyday comics, and nightly fiction that lulls me to let go of reality.
I am grateful to all of my teachers and--through my past years of teaching writing to GED students, graduate students at the UA, and tutoring a family of second language elementary students--I hope I have helped others enter the wonderful world of writing.
Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts
Friday, March 9, 2018
Sunday, March 12, 2017
Early Spring in the Sonoran Desert
Creosote bushes frame the edges on Sunrise Drive.
Mulberry feathers open from
bottom branches of trees in the plaza.
Pink flowers are dampened by fountain spray
where St. Philip stands,
cross in hand
as Lenten Bells ring:
It’s time for penance.
I give up nothing.
Instead,
I open to the season
teasing me to trust,
to wander a bit off the well-worn path
considering--
how it would feel to fly like the red-tailed hawk
searching for prey,
finding it--
outside the shadows.
(from Poets & Writers Prompt, March/April 2017)
Saturday, February 4, 2017
Paterson-inspired Poems
A few Lines
Butterflies settle on her stone ear.
They flutter against her cheek.
She sits against a cool wall
in the warm spring sun.
Yellow flowers border the wall.
Wind blows, flower stems bend.
Butterflies scatter.
NOTE: The first line (with pronoun change) is attributed to "Paterson" by William Carlos Williams.
The Movie
In the theater,
dark lights
and the rustle
of a tissue as
tears fall.
Friends and Lovers
The story shows
people at the neighborhood bar,
playing pool or chess.
Two lovers argue
in the dim corner.
Outside, and English bulldog
puts his paws on the sidewalk
and sleeps.
In the End
He opens the blank book
to small possibilities
written in pen.
The water falls
on the other side
of a rusty chain link fence.
Saturday, June 18, 2016
Stack of Books Poem
inspired by a prompt from Austin Kleon's Steal like an Artist:
A stack of books at Bentley's
begins with a foundation: Fortune Rocks.
As if to make a joke, the next title is
The Penny.
Even a penny can be a fortune, too.
An optimist sees
Breaking Dawn as a chance to live
another day and
discover Sanctuary in a local coffee shop.
Saturday, April 23, 2016
Erasure Poem and 19 Word Story
“Don’t You
Forget about Me” NYTimes/Styles 4/21/16 note: Erasure poem genre inspired by Austin Kleon, author of "Steal Like an Artist" and "Show Your Work!"
Six nights and two afternoons a week
Thumping a book like a Bible—
That year has never left us.
Their strange things are creeping
back:
Music and lyrics ripple.
Writer’s
Digest May/June 2016
p. 53
Those words,
burnt into the sand will be washed away by waves as our conjoined bodies float
on foam. (19 words)
Sunday, October 12, 2014
Practice Poems
(A Bref Double, prompted by Writer's Digest, October 2014)
"Between Places"
She sits at the table, pen in hand
gazing at the rain-filled mountains.
It is an autumn afternoon. Pomegranates bloom
along the graveled road.
There are places disconnected
yet connected through memories of land,
space and taste of coffee
that lightens her weekly load.
It is not one she bears with a grudge
but rather a willingness
to lean forward, making room
for whatever the Fates forebode.
Although she lives in a city of sand,
coffee reminds her of another ocean road.
(An ekphrastic poem, prompted by a photo in Writer's Digest, October, 2104 and from viewing Anthony Bourdain's CNN show on The Bronx)
"The Bronx"
I see you on the floor
pushing your chest against the dirty tiles
as you raise up to face your enemy.
He slams his leather boot against your torn shirt.
You grimace, then smile at me.
A lanky feline,
I just happened to come out from behind the metal staircase
and find you fighting for your solitary life.
I wish I could give you one of my nine.
You fed me fish an hour ago,
but now it appears
I am alone on the streets again
as you sputter your last breath.
"Between Places"
She sits at the table, pen in hand
gazing at the rain-filled mountains.
It is an autumn afternoon. Pomegranates bloom
along the graveled road.
There are places disconnected
yet connected through memories of land,
space and taste of coffee
that lightens her weekly load.
It is not one she bears with a grudge
but rather a willingness
to lean forward, making room
for whatever the Fates forebode.
Although she lives in a city of sand,
coffee reminds her of another ocean road.
(An ekphrastic poem, prompted by a photo in Writer's Digest, October, 2104 and from viewing Anthony Bourdain's CNN show on The Bronx)
"The Bronx"
I see you on the floor
pushing your chest against the dirty tiles
as you raise up to face your enemy.
He slams his leather boot against your torn shirt.
You grimace, then smile at me.
A lanky feline,
I just happened to come out from behind the metal staircase
and find you fighting for your solitary life.
I wish I could give you one of my nine.
You fed me fish an hour ago,
but now it appears
I am alone on the streets again
as you sputter your last breath.
Monday, August 25, 2014
Tiny Poems from Mt. Lemmon
On the porch at Mt. Lemmon,
I read poems and rock
back and forth
like the flowers
bending in the breeze.
Father, you are lifted
into the arms of
a lady in blue
who covers you
with clouds.
I read poems and rock
back and forth
like the flowers
bending in the breeze.
Father, you are lifted
into the arms of
a lady in blue
who covers you
with clouds.
Thursday, January 9, 2014
First poem of the Year
from a prompt via Poets & Writers, The Time is Now, 1/9/2014
Winter Storm
I had just started to read “War and Peace.”
Borrowed from the public library,
its weight impressing my imagination,
parchments papers crinkling under my fingers.
When the storm came with wind and cold rain,
ice formed on the wires and hung from our gutters.
My mother warmed our beds with a cast iron skillet,
heated in the basement stove—the electricity in the kitchen,
And throughout the house was gone.
I bundled in blankets and sat in the basement,
oddly warmer than the rest of the house.
My grandmother gave us an oil-lamp so I could read at night.
Natasha swirled in her Russian house,
Blood dripped on the battlefield,
And I was in awe as ice formed
daggers,
sharpening as the storm cut me from Illinois life,
binding me to Tolstoy’s turbulence.
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